“The Good Old Days Never Die”: Nostalgia, Temporality, and Affective Politics in Trump’s Musical Populism

Authors

Keywords:

temporal populism, affective governance, political rallies, soft power, sonic memory

Abstract

Donald Trump’s campaign playlists function as affective tools of temporal populism. Drawing on a dataset of 225 songs played at rallies between 2015 and 2024, the study combines computational analysis of audio features with cultural interpretation to examine how music shapes political memory and mobilization. Results reveal a marked preference for tracks from the 1970s and 1980s, characterized by high energy, emotional positivity (valence), and moderate acousticness. These sonic choices evoke a nostalgic affective climate aligned with the populist promise of national revival. Boxplots, ANOVA tests, and heatmaps show that genres such as rock, disco, and country dominate this curated soundscape, serving as emotional anchors for a narrative of decline and restoration. In this context, music performs affective temporal governance—organizing emotional experience across time through repetition, resonance, and embodied participation. Songs do not merely entertain; they act as scripts of belonging, instruments of soft power, and infrastructures of sonic memory. By collapsing temporal boundaries between past and present, Trump’s playlists orchestrate a politics of feeling in which nostalgia becomes a mobilizing force. The analysis contributes to the emerging field of sonic political analysis and underscores the role of music in shaping affective populism.

Author Biography

  • Antonio Alaminos-Fernández, Centro de Investigaciones Sociológicas (CIS)

    Researcher at Centro de investigaciones Sociológicas (CIS). Ph.D. with an extraordinary award in the Peace, Conflict, and Development program (Universitat Jaume I); Ph.D. with an extraordinary award in the Business, Economy, and Society program (University of Alicante). Master of Arts with a Major in Communication for Development (Malmö University, Sweden). International Master’s in Peace, Conflict, and Development (Universitat Jaume I). Graduate in Advertising and Public Relations (University of Alicante) and Bachelor in Circumpolar Studies (University of Nordland). Specialist in computational social science and its applications to empirical social research about music, emotions, and cultural influence, with a focus on how algorithmic methods and data analytics can uncover patterns in musical production, emotional response, and the global diffusion of cultural products.

Downloads

Published

2025-06-26

How to Cite

“The Good Old Days Never Die”: Nostalgia, Temporality, and Affective Politics in Trump’s Musical Populism. (2025). Critical Journal of Social Sciences, 1((1), 5-22. https://criticaljournalofsocialsciences.com/index.php/CJSS/article/view/v1n1-article1